Last updated: 8 hours ago
Harpist Good Rockin' Charles is best-known for a solo he didn't play. Suffering from a bad case of studio fright, Charles chickened out of playing on guitarist <a href="spotify:artist:20k4RFKXyboeDSz9bjumx0">Jimmy Rogers</a>' 1956 Chess waxing of "Walking by Myself" -- leaving the door wide-open for <a href="spotify:artist:7ApWhtmpJkPyd5WjwDdDfX">Big Walter Horton</a> to blow a galvanic solo that rates among his very best. Charles' domestic solo discography consists of one nice album for Steve Wisner's short-lived Mr. Blues logo in 1975.
Inspired by both Sonny Boys and <a href="spotify:artist:22JuR9OeENcP54XN5TlNWS">Little Walter</a>, Charles Edwards began playing harp shortly after hitting Chicago in 1949. He played with a plethora of local luminaries -- <a href="spotify:artist:6X9AYCyJSjiiIwCXAOrT6a">Johnny Young</a>, Lee Jackson, <a href="spotify:artist:0Ik5YnoDJIO8Z2pJJDPNrw">Arthur Spires</a>, Smokey Smothers -- before joining <a href="spotify:artist:20k4RFKXyboeDSz9bjumx0">Rogers</a>'s combo in 1955. Cobra Records also tried and failed to corral him for a session in 1957.
Bassist Hayes Ware was instrumental in finally convincing the elusive Good Rockin' into a studio for Mr. Blues, where he shook the walls with revivals of classics by both Sonny Boys, <a href="spotify:artist:20k4RFKXyboeDSz9bjumx0">Rogers</a>, and <a href="spotify:artist:1qZnWtvzKVV0lJQZBapchU">Jay McShann</a>. Unfortunately, it would prove the extent of the mysterious harpist's recorded legacy. ~ Bill Dahl, Rovi
Inspired by both Sonny Boys and <a href="spotify:artist:22JuR9OeENcP54XN5TlNWS">Little Walter</a>, Charles Edwards began playing harp shortly after hitting Chicago in 1949. He played with a plethora of local luminaries -- <a href="spotify:artist:6X9AYCyJSjiiIwCXAOrT6a">Johnny Young</a>, Lee Jackson, <a href="spotify:artist:0Ik5YnoDJIO8Z2pJJDPNrw">Arthur Spires</a>, Smokey Smothers -- before joining <a href="spotify:artist:20k4RFKXyboeDSz9bjumx0">Rogers</a>'s combo in 1955. Cobra Records also tried and failed to corral him for a session in 1957.
Bassist Hayes Ware was instrumental in finally convincing the elusive Good Rockin' into a studio for Mr. Blues, where he shook the walls with revivals of classics by both Sonny Boys, <a href="spotify:artist:20k4RFKXyboeDSz9bjumx0">Rogers</a>, and <a href="spotify:artist:1qZnWtvzKVV0lJQZBapchU">Jay McShann</a>. Unfortunately, it would prove the extent of the mysterious harpist's recorded legacy. ~ Bill Dahl, Rovi
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