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In the world of French electronic music, Irène Drésel is an anomaly: a polymorphic artist whose techno breaks from the norm with sophistication. Her incisive rhythms and incorporation of distinct sounds – including bells – produce a hypnotic audioscape attached to a distinct, dynamic visual universe. On stage with Sizo Del Givry, her percussionist partner, Irène's live shows are like a pagan ceremony in a rose-tinted secret garden.
Her first two albums, Hyper Cristal (2019) and Kinky Dogma (2021), were beloved by critics and audiences alike. A sold-out show at The Olympia in Paris, followed by her performance at the Stade de France at the closing ceremony of the Paris 2024 Paralympic Games, launched the illustrious tour for Rose Fluo (2024), her third album, which translates a color into a state of mind. The Rose Fluo tour will culminate in a concert at the Zénith in November 2025.
Endlessly versatile, she is also a film composer, winning the César for Best Original Music for Eric Gravel's critically acclaimed film, A Plein Temps (2021).
By Trisha Banerjee
Her first two albums, Hyper Cristal (2019) and Kinky Dogma (2021), were beloved by critics and audiences alike. A sold-out show at The Olympia in Paris, followed by her performance at the Stade de France at the closing ceremony of the Paris 2024 Paralympic Games, launched the illustrious tour for Rose Fluo (2024), her third album, which translates a color into a state of mind. The Rose Fluo tour will culminate in a concert at the Zénith in November 2025.
Endlessly versatile, she is also a film composer, winning the César for Best Original Music for Eric Gravel's critically acclaimed film, A Plein Temps (2021).
By Trisha Banerjee
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