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Polish duo Skalpel channeled the influence of their homeland's rich jazz traditions into their own contemporary electronic sound. DJs/producers Marcin Cichy and Igor Pudlo first teamed in Wroclaw, Poland, in 1998. Working in virtual anonymity, Skalpel soon began assembling the first of their Eastern European fusion-inspired cut-and-paste mosaics by sampling classic LPs from artists including <a href="spotify:artist:6BoLqGW2NuMvgHqiDbyfOC">Krzysztof Komeda</a>, <a href="spotify:artist:65WFsTQhFYVqbovrVZAOd7">Tomasz Stanko</a>, and the Novi Sisters, spending months and even years in search of the right sounds to complete each individual track. In 2000 Pudlo interviewed Ninja Tune label artist <a href="spotify:artist:4vwzEW1kPK1BlgSBGrRyqZ">DJ Vadim</a> for the Polish hip-hop magazine Klan. Soon after, <a href="spotify:artist:4vwzEW1kPK1BlgSBGrRyqZ">Vadim</a> invited Skalpel to tour Poland with his Russian Percussion ensemble, and after returning to Wroclaw the duo issued their debut CD-R, Polish Jazz. Despite limited distribution, the release was the subject of rapturous acclaim and in 2001 Ninja Tune extended a record deal. Skalpel spent the next three years working on its self-titled debut LP, earning comparison to jazz icons <a href="spotify:artist:0kbYTNQb4Pb1rPbbaF0pT4">Miles Davis</a> and <a href="spotify:artist:2ZvrvbQNrHKwjT7qfGFFUW">Herbie Hancock</a> with the end result. Konfusion followed in 2007. ~ Jason Ankeny, Rovi
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