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Bobby Timmons became so famous for the gospel and funky blues clichés in his solos and compositions that his skills as a <a href="spotify:artist:570vCzcespB48HIQyTbDO6">Bud Powell</a>-inspired bebop player have been long forgotten. After emerging from the Philadelphia jazz scene, Timmons worked with <a href="spotify:artist:2fMvylhnE23sAlyePKK8er">Kenny Dorham</a> (1956), <a href="spotify:artist:3rxeQlsv0Sc2nyYaZ5W71T">Chet Baker</a>, <a href="spotify:artist:217b0uqAzsOOhGcnoANZqj">Sonny Stitt</a>, and the Maynard Ferguson Big Band. He was partly responsible for the commercial success of both <a href="spotify:artist:6QQuESLtKhAOcLW2TeWC2t">Art Blakey's Jazz Messengers</a> and <a href="spotify:artist:5v74mT11KGJqadf9sLw4dA">Cannonball Adderley's Quintet</a>. For <a href="spotify:artist:6QQuESLtKhAOcLW2TeWC2t">Blakey</a> (who he was with during 1958-1959), Timmons wrote the classic "Moanin'" and, after joining <a href="spotify:artist:5v74mT11KGJqadf9sLw4dA">Adderley</a> in 1959, his song "This Here" (followed later by "Dat Dere") became a big hit; it is little wonder that <a href="spotify:artist:5v74mT11KGJqadf9sLw4dA">Adderley</a> was distressed when, in 1960, Timmons decided to return to the Jazz Messengers. "Dat Dere" particularly caught on when <a href="spotify:artist:4tlPDFGdI3IwmwpGgW0Aza">Oscar Brown, Jr.</a> wrote and recorded lyrics that colorfully depicted his curious son. Timmons, who was already recording as a leader for Riverside, soon formed his own trio but was never able to gain the commercial success that his former bosses enjoyed. Stereotyped as a funky pianist (although an influence on many players including <a href="spotify:artist:07tYu4BGrfeogBobCefkHI">Les McCann</a>, <a href="spotify:artist:7Kfrmups2Z3ncDQmNS5jRc">Ramsey Lewis</a>, and much later on <a href="spotify:artist:4g55GmK5iQOyCoDdQCzWKZ">Benny Green</a>), Timmons' career gradually declined. He continued working until his death at age 38 from cirrhosis of the liver. ~ Scott Yanow, Rovi
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