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Pianist Philippe Entremont has had an unusually long and impressive career, beginning in the early 1950s and remaining active well into the first quarter of the 21st century. Entremont is versatile in multiple ways: his repertory is wide, and he has worked extensively as a conductor.

Entremont was born in Reims, France, on June 7, 1934. His parents were both musical; his father was a conductor at the Strasbourg Opera, and his mother a pianist who gave him lessons. Showing talent, Entremont was admitted to the Paris Conservatory in 1944, where he won the school's top prizes in piano, solfège, and chamber music. Entremont made his formal debut in Barcelona in 1951, and was soon touring various European countries. On January 5, 1953, he made his U.S. debut with the National Orchestral Association, on that occasion under the baton of Léon Barzin. Through the 1950s and 1960s, Entremont appeared in nearly every major classical music venue in the world. He also played in chamber groups, often with flutist <a href="spotify:artist:1CyKlAhkI1ztihZ5V0yx6s">Jean-Pierre Rampal</a>. At the start, Entremont was associated with the music of neoclassic composers such as <a href="spotify:artist:6bwXuNL4AuC7w3AxspKXn6">Milhaud</a> and <a href="spotify:artist:7ie36YytMoKtPiL7tUvmoE">Stravinsky</a>, as well as their predecessor, <a href="spotify:artist:436sYg6CZhNefQJogaXeK0">Saint-Saëns</a>. He also often played <a href="spotify:artist:4NJhFmfw43RLBLjQvxDuRS">Mozart</a> and Beethoven, and as his career developed, he began to program major Romantic masterpieces. Entremont has continued a vigorous concert career into old age. At the 2008 Summer Olympics in Beijing, he participated in the so-called "Piano Extravaganza of the Century" as one of ten internationally renowned players.

Entremont focused on a wide range of music as a conductor, an avocation he began in 1967. He served as principal conductor and music director of the <a href="spotify:artist:3LWi3bcHEo2dPoy0S79nIM">Vienna Chamber Orchestra</a> from 1976 to 2006, adding the music directorship of the New Orleans Symphony to his responsibilities between 1981 and 1986. He returned to New Orleans in 2007 as a pianist to open the orchestra's second season after the devastation of Hurricane Katrina. He has also conducted the Denver (Colorado) Symphony Orchestra, the Orchestre des Concerts Colonnes in Paris, and the <a href="spotify:artist:2MmbPxrrW8eagvKTU49aq1">Munich Symphony Orchestra</a>, among other groups. He is the founder of the Santo Domingo Music Festival in the Dominican Republic.

Entremont's recording career is vast, encompassing numerous recordings as both pianist and conductor on <a href="spotify:search:label%3A%22Sony+Classical%22">Sony Classical</a> as well as a host of smaller imprints, and he has slowed only slightly as an octogenarian. In 2019, he released a new album of Beethoven piano sonatas on <a href="spotify:search:label%3A%22Solo+Musica%22">Solo Musica</a>.

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2.9 million

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839.5 million

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52,376 listeners
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Popular Tracks

1037 tracks
1
3 Gymnopédies: No. 1, Lent et douloureux

3 Gymnopédies: No. 1, Lent et douloureux

Jan 1, 1953

239.1 million

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2
Gymnopédie No. 1

Gymnopédie No. 1

Jan 1, 1981

239.1 million

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3
The Swan

The Swan

Jan 1, 1961

65.6 million

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4
Carnival of the Animals: XIII. The Swan

Carnival of the Animals: XIII. The Swan

Jan 1, 1978

65.6 million

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5
Carnival of the Animals, R. 125: XIII. The Swan

Carnival of the Animals, R. 125: XIII. The Swan

Jan 1, 1978

65.6 million

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6
Gymnopédie No. 3

Gymnopédie No. 3

Jan 1, 1981

23.9 million

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7
Gymnopédie III

Gymnopédie III

Jan 1, 1991

23.9 million

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8
Carnival of the Animals, R. 125: Aquarium

Carnival of the Animals, R. 125: Aquarium

Jan 1, 1961

12.6 million

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9
Gymnopédie No. 2

Gymnopédie No. 2

Jan 1, 1981

8.4 million

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10
Serenade in C Major, Op. 48: II. Walzer

Serenade in C Major, Op. 48: II. Walzer

Dec 17, 1990

5.4 million

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