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At one point in time, John LaPorta looked like he was going to be one of the leading clarinetists in modern jazz. His cool tone and very advanced style (influenced by <a href="spotify:artist:6VoQTYD2vUVvm1H031lp3e">Lennie Tristano</a>) seemed to be making him the <a href="spotify:artist:4YNvbaOaqp5pzC5US5t48k">Lee Konitz</a> of the clarinet. He had played with the big bands of <a href="spotify:artist:7bUrX1lUvEJ1NKzQtTDPbW">Bob Chester</a> (1942-1944) and <a href="spotify:artist:2KSxJY1WxGGVYSmoM0N54P">Woody Herman</a> (1944-1946), but more importantly, he recorded with <a href="spotify:artist:6VoQTYD2vUVvm1H031lp3e">Lennie Tristano</a> in 1947. LaPorta studied with <a href="spotify:artist:6VoQTYD2vUVvm1H031lp3e">Tristano</a> and six years later was part of the Jazz Composers' Workshop with <a href="spotify:artist:1W8TbFzNS15VwsempfY12H">Charles Mingus</a> and <a href="spotify:artist:59fCPbw9bxL29Kl0sFuDSt">Teo Macero</a>, seeking to bring elements of classical music into jazz. The clarinetist recorded with <a href="spotify:artist:1W8TbFzNS15VwsempfY12H">Mingus</a> in 1954 before the bassist changed directions and LaPorta led sessions for Debut, Fantasy, and Everest during 1954-1958. However, John LaPorta chose to pursue a career as a teacher (at the Manhattan School of Music and Berklee) and performed infrequently after his exodus to acedemics. LaPorta did return to recording in 1999 for a session that was released under the title Life Cycle. His 1956 LP, Conceptions, was re-issued by Fantasy with over a dozen unreleased tracks as Themes and Variations. A legend of the jazz vanguard and an influence on countless students during his 40 year teaching tenure, John LaPorta passed away in May of 2004 at the age of 84. ~ Scott Yanow, Rovi

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