We are currently migrating our data. We expect the process to take 24 to 48 hours before everything is back to normal.

Data may be outdated

Last updated: 3 weeks ago — Click refresh to get the latest statistics.

Probably the most pop-oriented of <a href="spotify:search:label%3A%22Motown%22">Motown</a>'s major female acts, the Marvelettes didn't project as strong an identity as <a href="spotify:artist:57bUPid8xztkieZfS7OlEV">the Supremes</a>, <a href="spotify:artist:1cjZk1xXn3YCToNg3uJpA7">Mary Wells</a>, or <a href="spotify:artist:3Hut5CO4gDNYQfG63a7Wl4">Martha Reeves</a>, but recorded quite a few hits, including <a href="spotify:search:label%3A%22Motown%22">Motown</a>'s first number one single, "Please Mr. Postman" (1961). "Postman," as well as other chirpy early-'60s hits like "Playboy," "Twistin' Postman," and "Beechwood 4-5789," were the label's purest girl group efforts. Featuring two strong lead singers, Gladys Horton and Wanda Young, the Marvelettes went through five different lineups, but maintained a high standard on their recordings. After a few years, they moved from girl group sounds to uptempo and midtempo numbers that were more characteristic of <a href="spotify:search:label%3A%22Motown%22">Motown</a>'s production line. They received no small help from <a href="spotify:artist:0h9smro0z3HqUbD94jotU8">Smokey Robinson</a>, who produced and wrote many of their singles; <a href="spotify:artist:3ig4Yf8S2Bjq2yVsiayKM0">Holland-Dozier-Holland</a>, <a href="spotify:artist:4xRLKAf96K6YdGDWjY6ra8">Berry Gordy</a>, Mickey Stevenson, <a href="spotify:artist:3koiLjNrgRTNbOwViDipeA">Marvin Gaye</a>, and <a href="spotify:artist:2EURsXo9qlt1aMWlviGCRi">Ashford-Simpson</a> also got involved with the songwriting and production at various points. After the mid-'60s Wanda Young assumed most of the lead vocal duties; Gladys Horton departed from the group in the late '60s. While the Marvelettes didn't cut as many monster smashes as most of their <a href="spotify:search:label%3A%22Motown%22">Motown</a> peers after the early '60s, they did periodically surface with classic hits like "Too Many Fish in the Sea," "Don't Mess with Bill," and "The Hunter Gets Captured by the Game." There were also plenty of fine minor hits and misses, like 1965's "I'll Keep Holding On," which is just as memorable as the well-known <a href="spotify:search:label%3A%22Motown%22">Motown</a> chart-toppers of the era. The group quietly disbanded in the early '70s after several years without a major hit. Wanda Young died on December 16, 2021 at the age of 78. Co-founder Katherine Anderson died on September 20, 2023; she was 79. ~ Richie Unterberger, Rovi

Monthly Listeners

1.0 million

Followers

393,232

Total Streams

725.2 million

Top Cities

27,148 listeners
18,025 listeners
11,791 listeners
11,010 listeners
10,042 listeners

Links

Popular Tracks

235 tracks
1
Please Mr. Postman - Single Version / Mono

Please Mr. Postman - Single Version / Mono

Jan 1, 1961

223.1 million

streams

2
Please Mr Postman

Please Mr Postman

Apr 15, 2013

223.1 million

streams

3
Please Mister Postman

Please Mister Postman

Jul 12, 2017

194.5 million

streams

4
Playboy

Playboy

Jan 1, 1962

19.2 million

streams

5
Forever

Forever

Jan 1, 1962

7.6 million

streams

6
Too Many Fish In The Sea - Single Version

Too Many Fish In The Sea - Single Version

Jan 1, 1984

7.0 million

streams

7
Beechwood 4-5789

Beechwood 4-5789

Jan 1, 1962

6.3 million

streams

8
BEECHWOOD 4-5789

BEECHWOOD 4-5789

Jan 29, 2021

6.3 million

streams

9
When You're Young And In Love

When You're Young And In Love

Jan 1, 1967

5.2 million

streams

10
Don't Mess With Bill - Single Version

Don't Mess With Bill - Single Version

Jan 1, 1986

3.6 million

streams