Luke Solomon

Luke Solomon is an underacknowledged yet important figure in the world of dance music. The London-based DJ and producer has released countless records of sophisticated yet accessible house music, reflecting influences including disco, post-punk, and jazz. He's partially responsible for two productive, well-respected house labels: <a href="spotify:search:label%3A%22Classic%22">Classic</a>, which he co-founded with Chicago house legend <a href="spotify:artist:3XwBizyFmbCCUFcdcsvMmm">Derrick Carter</a> in 1995, and <a href="spotify:search:label%3A%22Music+for+Freaks%22">Music for Freaks</a>, co-run with Justin Harris since 1999. Solomon and Harris are also behind left-field house duo <a href="spotify:artist:53L5KERK0sEsE16Hkg9Z28">Freaks</a>, who have released four full-lengths, beginning with 2000's The Beat Diaries, and dozens of singles, including "The Creeps (Get on the Dancefloor)," which hit the Top 10 of the U.K. singles chart in 2007. Solomon has released several mix CDs, including 2001's Thanks for Coming By... (with <a href="spotify:artist:3XwBizyFmbCCUFcdcsvMmm">Carter</a>), in addition to ambitious solo albums The Difference Engine (2008) and Timelines (2013). He's also served as an A&R director for <a href="spotify:search:label%3A%22Defected+Records%22">Defected Records</a>, helping propel numerous underground club tracks toward chart success and even Grammy nominations. Solomon is a member of disco-house collective <a href="spotify:artist:73mmpTmWxkJDV0bUy5wQjd">Powerdance</a>, whose debut LP The Lost Art of Getting Down appeared in 2017.

Solomon first began to DJ as a Middlesex University student during the early '90s. After playing a gig with <a href="spotify:artist:3XwBizyFmbCCUFcdcsvMmm">Derrick Carter</a>, the two became friends, and launched <a href="spotify:search:label%3A%22Classic%22">Classic</a> in 1995. The label quickly lived up to its name, releasing seminal records by the likes of <a href="spotify:artist:6wXFUcaG7779tb1Ok72GBn">Herbert</a>, <a href="spotify:artist:5He9yPmPv0Du9hASUlTUjr">DJ Sneak</a>, and Gemini. Solomon also started a long-lasting partnership with Justin Harris; in 1996, the two began releasing records as Robotic Movement and the Electric Imbalance Allstars, but it was their <a href="spotify:artist:53L5KERK0sEsE16Hkg9Z28">Freaks</a> project which took off. After several singles on Phono and Plastic during 1996-1997, and following the release of Solomon's 1998 mix-CD In Motion, the duo released several singles on their newly established <a href="spotify:search:label%3A%22Music+for+Freaks%22">Music for Freaks</a> label in 1999; "Turning Orange" was additionally released by <a href="spotify:search:label%3A%22Playhouse%22">Playhouse</a>, and became a club hit. <a href="spotify:artist:53L5KERK0sEsE16Hkg9Z28">Freaks</a>' debut full-length, The Beat Diaries, appeared in 2000, swiftly followed by Meanwhile, Back at the Disco... in 2001. Also during the year, Solomon and <a href="spotify:artist:3XwBizyFmbCCUFcdcsvMmm">Carter</a> released the double-CD mix Thanks for Coming By... on <a href="spotify:search:label%3A%22Classic%22">Classic</a>.

By 2003, <a href="spotify:artist:53L5KERK0sEsE16Hkg9Z28">Freaks</a> had become highly prolific, with a growing catalog of original productions as well as remixes for <a href="spotify:artist:4GvOygVQquMaPm8oAc0vXi">the Streets</a>, <a href="spotify:artist:1aX2dmV8XoHYCOQRxjPESG">the Human League</a>, <a href="spotify:artist:1H5SJeD3Kqf9Mq4V7190aE">Markus Nikolai</a> ("Bushes"), and dozens of others. Third <a href="spotify:artist:53L5KERK0sEsE16Hkg9Z28">Freaks</a> album The Man Who Lived Underground appeared that year, and left-field electro single "The Creeps (You're Giving Me)," released by <a href="spotify:search:label%3A%22International+Deejay+Gigolo+Records%22">International Deejay Gigolo Records</a>, became a major underground hit. Four years later, an updated version of the track, retitled "The Creeps (Get on the Dancefloor)," was released by <a href="spotify:search:label%3A%22Ministry+of+Sound%22">Ministry of Sound</a>-affiliated <a href="spotify:search:label%3A%22Data+Records%22">Data Records</a>, reaching number nine on the U.K. singles chart. By this time, Solomon had started his solo career. Following 2005 label retrospective A Classic Decade, a double-CD mixed by himself and <a href="spotify:artist:3XwBizyFmbCCUFcdcsvMmm">Carter</a>, Solomon released several EPs with titles like Ghouls, Ghosts, and Monsters on labels such as <a href="spotify:search:label%3A%22Rekids%22">Rekids</a>, <a href="spotify:search:label%3A%22Crosstown+Rebels%22">Crosstown Rebels</a>, and <a href="spotify:search:label%3A%22Cajual%22">Cajual</a> throughout 2006 and 2007. His first solo album, The Difference Engine, was released by <a href="spotify:search:label%3A%22Rekids%22">Rekids</a> in 2008; updated version The Difference Engine Redux followed two years later. Solomon also co-produced and co-wrote <a href="spotify:artist:3EIJ8wiUHbgkRCt5cpRrQv">Damian Lazarus</a>' 2009 full-length Smoke the Monster Out, along with Arthur Jeffes (<a href="spotify:artist:1xU7tQkYahN1eWbgEzoure">Penguin Cafe</a>).

In 2011, <a href="spotify:search:label%3A%22Classic%22">Classic</a> began regularly issuing vinyl again, after mainly existing as a digital label for several years. Solomon released full-length Minor Digital Experiment under his occasional alias the Digital Kid in 2012, in addition to mix CD Cutting Edge. Solomon's second album under his own name, Timelines, appeared in 2013. In contrast to the Detroit techno and post-punk influences of his first full-length, Timelines was filled with lushly arranged vocal house tunes. <a href="spotify:artist:53L5KERK0sEsE16Hkg9Z28">Freaks</a> released their fourth album, Psych, on Italian label <a href="spotify:search:label%3A%22Rebirth%22">Rebirth</a> in 2014. Solomon and <a href="spotify:artist:53L5KERK0sEsE16Hkg9Z28">Freaks</a> continued regularly issuing singles on <a href="spotify:search:label%3A%22Classic%22">Classic</a> and <a href="spotify:search:label%3A%22Music+for+Freaks%22">Music for Freaks</a> as well as labels like <a href="spotify:search:label%3A%22Optimo+Trax%22">Optimo Trax</a> and <a href="spotify:search:label%3A%22Circus+Company%22">Circus Company</a>. Additionally, Solomon has mixed several volumes of his Unfinished Business series, as well as a 2015 mix on <a href="spotify:search:label%3A%22Strictly+Rhythm%22">Strictly Rhythm</a> (Strictly Jacked!) and two volumes of 4 to the Floor Presents Nu Groove, surveying the catalog of the short-lived but highly influential New York house label <a href="spotify:search:label%3A%22Nu+Groove+Records%22">Nu Groove Records</a>. Solomon also participated in <a href="spotify:artist:73mmpTmWxkJDV0bUy5wQjd">Powerdance</a>, a nu-disco collective featuring Al Doyle (<a href="spotify:artist:37uLId6Z5ZXCx19vuruvv5">Hot Chip</a>, <a href="spotify:artist:066X20Nz7iquqkkCW6Jxy6">LCD Soundsystem</a>), Danny Ward (<a href="spotify:artist:4aUxzq0r7O2RhqrHMc56BW">Moodymanc</a>, <a href="spotify:artist:1OEwupKNLs3Z6i5K8v4vPM">2020 Soundsystem</a>), James Duncan, and others. Their debut full-length, The Lost Art of Getting Down, was self-released in 2017. ~ Paul Simpson, Rovi